Sunday, 3 February 2013

Fringe: S05 Ep09 – Black Blotter



What happened?

Walter took some LSD which prompted visitations from his past, with hallucinatory demons taunting him with the idea that his more egotistical self, the personality he tried to bury, is coming to the fore and taking control of his actions and eventually his psyche to become dominant. Meanwhile the team track down the radio signal to a house where the Observer boy is living and he is given over to their custody to continue the plan.

Thoughts

It’s hard to say that I’ve been a big fan of Fringe when it’s gone down it’s more fantastical route. I shudder to think of the Brown Betty singing episode, for example, which is better left forgotten. But then there have been other episodes that have fared better and, since they are something of a feature of the show then I can’t begrudge it giving Walter one last hurrah with his drugs. And, truth was, aside from the Monty Python-inspired animation sequence (the purpose of which I don’t particularly appreciate other than it seemed to inspire Walter to remember the password was “black umbrella”) the hallucinations were either startling imagery (I am thinking of the emerald castle on the island) or entertaining (the little fairies flitting about the place).

The moment where Walter tranced out and saw key moments of his life projected onto the walls were also the episode’s best moment; seeing the scenes again where he proclaimed to be a God in the laboratory, and the moment he went through the gateway on Lake Reiden and set in motion the events we have seen over the course of many seasons. It was a nice way of reviewing some of the big moments that have occurred in Fringe and a reminder of how we got to this point. I think it also served to generate the sense of monstrosity about the man Walter was and so earn that climactic end of his hallucinated doppelganger leering back at him.

I don’t fully believe that Walter will become that man, though if Fringe does want to go down the route of having Walter answer to his demon, and his crimes, and have him pay the ultimate price for it then it’s a plot idea that would be a brave and powerful move.  For now, however, I am more expectant that Walter may prove to be an obstacle to himself and the group that will have to be overcome if the plan is to succeed.

I am still none-the-wiser as to what that plan actually is, though they now have Observer boy in their custody to help with it!

Observer boy doesn’t say much, mind. I am not sure exactly what he is. It’s been established that the Observers are what they are due to the tech that’s in the back of their necks. Unless Observer boy also has this tech (which I am reasonably sure he doesn’t) then he does present something of a head scratch about what exactly he is. I am sure there’ll be some kind of unifying answer to that presented in due course - Fringe wouldn’t have brought him back if they didn’t have a good purpose for him, right?

Peter seems to be pretty much back to himself with only a bit of a headache as the side-effect of his radical Observification over the past few episodes. He rightly thanked Olivia for sticking by him, though that moment of reconciliation was really the only bit of character interplay the episode had time for. The episode shoehorned in a bit of action at the docks, with some guards showing up so our heroes could get their gunplay on, but whilst it was mildly entertaining it didn’t add much value. No, time was better spent indulging in Walter’s psyche and setting up him as a ticking timebomb that may just turn betrayer before the end. . .

There was a little bit more business concerning the identity of Don and the appearance (in skeletal form) of Sam Weiss. Both of these are interesting and I am kind of glad they didn’t just dip out and introduce Don as just some guy – I am still holding out hope that there is a good reason why he has been kept as something of an enigma so that when he is eventually introduced it will amaze us. My most recent idea has it that Don is September, but with his tech removed. I rather like the idea, and I will be surprised if Fringe gets to the very end without bringing September back into things at some point.

The business of Sam Weiss being reintroduced also makes me hold out hope that the grand ideas about the ‘first people’ that he was a big driver of over a season ago may yet be brought back into the thick of things. A couple of years have passed since those shows and those discussions so the true nature of what it was about is a little lost on me. As I remember it, the first people were an advanced civilisation that existed on Earth a long time before this civilisation – a people that lived and were lost. And the suggestion was that Olivia, Peter and Walter were a part of that civilisation. It was always a beguiling and complex concept Fringe seemed to be on the cusp of delving into and, in the last season, seemed to have ducked away from entirely. Maybe Sam Weiss’ skeleton is an indication that it’s making a comeback for the finale.

What was the best part?

I liked Walter’s hallucination of being in the car, having apparently gone off by himself and done the very thing he vowed he never would. As Observers approached the car things looked dire only for it to transpire it was a mental flight of fancy. However the better part was in the laboratory, with Walter remembering the things he had done projected onto the walls. Lovely bit of remembrance for Fringe fans, all set to dramatic music, and serving as a little refresher on gloriously strong moments in the show’s history as it looks set to head into the final stretch. The last few episodes are upon us. . .

What do I think will happen next?

Walter will have to wrestle with his alter-ego whilst he tries to put into motion the final touches to this mysterious grand plan of his. Observer boy is obviously going to have a big say in it, and I’ve still not seen a better idea than the ridiculous Magneto machine notion that I was discussing in the previous Fringe post. Really this feels like one of those moments where the show has put itself into a position where it can show its hand about where it intends to go next and, for me, that means I’m just strapping myself in for the ride ahead.

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