What
happened?
Olivia
and Peter had a run-in with Jessica, who it turned out was working for William
Bell. She shot September, but was then killed by Olivia who once again
exhibited developing powers. With an injured Astrid pointing them in the
direction of where Walter was taken, they tried to locate where William Bell
had taken him.
William
Bell had taken Walter to the safe spot for his continued intention to collapse
the universes into one new whole – a brave new world where he can play God. He
states that this was once Walter’s ambition. Olivia and Peter arrive to thwart
the plan, though Walter has to kill Olivia and then rely on her regeneration in
order for it to succeed.
Olivia
tells Peter that she is pregnant, whilst September appears to Walter to grimly
inform him that “they” are coming.
Thoughts
No
way around it, really. I was disappointed. The messy first half I was willing
to forgive if this second part came along and delivered the goods. Well, it
delivered goods. I just didn’t particularly like them. In all honesty, and
maybe this is just me, but I thought Fringe had gone a little bit too stupid.
It’s
a fairly crazy thing to say, really. To remark that Fringe has gone too far
when it’s a show that has basically plied its trade on the principle of going
too far and selling it, but I definitely felt that way. The tipping point for
me was when Walter put a bullet in Olivia’s head and then he and Peter stuck a
big pipe through her brain, got the bullet out and then watched as she healed in
seconds and returned to consciousness.
That,
for me, that was just one step too far.
I
didn’t believe that such a level of self-healing power ought to have been
possible (serious, what is Cortexiphan because the stuff appears to be able
to do anything!), and furthermore I don’t believe that Walter could have been
so absolutely certain it would turn out that way. I wondered if it was perhaps
the only way the writers could make good on September’s warning about how
Olivia was destined to die in every single version of future events he had ever
seen, so she had to die but Fringe also had to have her come back to life
as well.
If
that dire warning had never existed then perhaps there were other things that
could have happened – like Olivia being plunged into a coma or removed to
another dimension or something! Sure, they’re kind of ludicrous, but somehow an
outlandish solution wouldn’t have felt as much like a cheat as just shooting
her in the head and then having her heal back to life.
Furthermore,
how come William Bell didn’t do anything about it? He plainly watched Walter
load the gun and surely it must have occurred to him what he intended. He knew
as much, if not more, about what Olivia’s capabilities allowed for since he had
engineered her to generate the energy sufficient to collapse two universes (as
you do). So this masterplan of precision, this act of new world creation he has
strived for years towards, he allows it to fall apart in the final moments and
then disappears with a bit of a heavy sigh and
ring of his bell.
Good
grief.
Where
did he go? Well, that was actually one of the more interesting possibilities,
with the only logical explanation being that he went back to the other
universe. Is it possible that this William Bell is actually the one from the
alternate universe? There’s no reason to believe an alternate version doesn’t
exist in some capacity, and if Nina was convinced she saw her William Bell die
then that makes it all the more reasonable to figure this Belly is the
duplicate alternate.
There’s
no way of knowing, but it’s a possibility. I suppose I am leaning towards it
not being the alternate William Bell purely because Fringe seems to want to
streamline itself and no longer be concerned about the alternate universe. I
know the fifth and final season has been confirmed but is going to be a shorter
run of episodes so it would make sense to leave the alternate universe alone.
I
really liked the detail from William that the notion of creating a new world, a
world where they could become God-like due to feeling like their current world
was Godforsaken, had been originally spawned from Walter’s grieving, pained
mind. Having cruelly lost his own son, and caused the death of the Alternate
Peter, with the guilt at the disaster his crossing over had created he had
turned his back on God and coldly contrived plans to form this brave new world.
That he had to have William take away pieces of his brain to remove the notion
feeds well into the narrative we already know, but I particularly liked it
because I’ve noticed Walter has had a curiously religious faith for a man of
science that has, up until this episode, been left unaddressed. Now we know
that the part of his mind that rejected God had been removed entirely, and so
the incongruence of Walter being a believer now makes more sense.
The
most successful scene centred on September trapped in the warehouse by that
strange glyph. His remarks about how such technology was not supposed to be
known alluded surely to William Bell knowing a lot more about them than they
even realised. He had figured September was a potential loose cannon who might
interfere with his plans to collapse the universe (the one Observer who has a
history of doing more than observe!). Such foresight and planning only
undermines how easily his plan was thwarted by Walter and his gun, but I’ve
already said my piece about that!
Jessica
proving to be working for William Bell was a nice surprise (though she certainly
put herself in extreme risk for the cause – running the risk of spontaneous
combustion all on the principle that she would be saved by Olivia’s
healing powers). As calculated gambles
go, William Bell is more than a little prescient. Not only was Jessica taught
enough to trap an Observer she also had the high-powered faster-firing gun to
put a bullet in one. Pretty cool.
Not
sure how I felt about the resolution to the mystery of how September came to be
shot. I mean, I’m glad it was addressed in a satisfactory manner. It quickly became
apparent that the incident of meeting Olivia, of ‘dying’, was all something
that was part of his future. For once Peter and Olivia were in a position where
they knew what was going to happen when September didn’t. Presumably the
September that appeared at the end of the episode was the one that had been
renewed, saved by Peter – and it appears he is very much taking a stand against
his own people.
The
last scene did have something of an anticlimactic feel to it, though given the
nature of what has been going on behind the scenes of Fringe, with question
marks about whether it would ever get a fifth season, I suspect this last part
was added on and the preceding scenes about Olivia being pregnant, and Broyles
becoming a general and giving Nina a new job, all of that was like a closing
coda of happy endings that may have actually been designed to finish off the
entire show. I’m glad they weren’t. It would have felt like a bit of a happy
whimper rather than a rousing climax.
Olivia’s
declaration of pregnancy was a weird moment. For some seconds I was wondering
if the fact that she had died and been brought back had somehow changed her
perspective, or imbued her with some knowledge she was about to impart. That
this scene was coming right at the end of the episode made it seem all the more
loaded with a bombshell – but there just wasn’t one. Maybe when the scene was
conceived (ha!) and filmed it was with the view that the ‘future episode’
wouldn’t have appeared and so we, as an audience, wouldn’t already know that
Henrietta existed.
I
suppose that future episode did dilute much of the drama. We knew that Olivia
couldn’t really die, or even that Astrid wouldn’t die. We knew that William
Bell’s mental plan of forming a brave new world could not come to fruition, either.
I imagine the original Fringe design may have been never to have the ‘future
episode’, that way the show could have wrapped up the story of William Bell
(presumably by having him die rather than just disappear) and had Olivia rid of
Cortexiphan and the universes severed and pretty much all of the plot threads
would have found resolution.
The
end of the episode briefly mentioned that Olivia’s Cortexiphan powers were set
to wane and she would become a regular person (although we know that Henrietta
will be born with innate powers that, at least, allow her mind not to be read –
surely a by-product of her in utero Cortexiphan exposure). I do wonder how the
fifth season will push through the story of Olivia and Peter and the rest
becoming entombed in Amber and balance that with the jump to 2036. Perhaps a
flipping back and forth, episode by episode, similar to how the show used to
cross from one universe to another. I could see that working well, though I’d
be amazed if Olivia doesn’t appear somehow in the future, alive, probably
encased in Amber somewhere else!
Getting
ahead of myself now, though. This finale did end on a low, oddly anti-climactic
note, that has to be as a direct consequence to the pressures on the show
production that really left the writers in a tricky spot between tying the show
up whilst leaving enough scope for continuation. In that respect they did well.
I still require resolution over the matter of the First People that Sam Weiss
used to be so intent on, that suggested Olivia, Peter and Walter were destined
to somehow become. The show has its fifth and final season to address these
matters, of course, which is good and welcome news. For all my niggles here I
still enjoyed the episode, and I still really like the show, and I hope now
they have an endgame set in stone all concerned can rally everything together
and give us fans the send off we’ve been waiting for.
What
was the best part?
I’m
torn between two scenes. For sheer freakish oddity the scene where Jessica was
brought back from the dead and her eyeballs were rolling around and blinking
independently was just so weird I loved it. No pun intended, but I couldn’t
take my eyes off it. And the very nature of what exactly was going on – what
aspect of Jessica had been revived to communicate – is really quite creepy. It
was certainly a memorable scene.
However,
surely the best scene had to be where Olivia and Peter happened upon the
constrained September, and then Jessica showed up to reveal her true colours.
The strange symbol that kept September locked in place, the origin of the
bullet wound, and Olivia flipping out some swift hand deflections to take down
Jessica – it was a short scene that packed in a lot of good stuff. Shame the
rest of the episode couldn’t measure up, really.
What
do I think will happen next?
I
can well envisage Fringe splitting plotlines between the ‘present’ day
(dealing with Olivia and Peter and their pregnancy/new baby and, with Walter,
collaborating with September about actions to be taken against the upcoming
invasion). Either by switching timelines every other episode, or perhaps even
during episodes, the future plot in 2036 can also be continued up to the point
where it becomes the dominant story and concludes the Fringe storyline.
I
fully expect Olivia will emerge alive, somehow, in 2036 (otherwise how will she
continue to be the star of the show!?). I also imagine that thwarting The
Observers may result in Olivia and Peter and Walter becoming the ‘first people’
and altering history, or becoming a part of ancient history. . . OK, my
thoughts are running aground, but mostly I am hopeful that all of these big
ideas the show has ushered in and left on the sidelines will get pulled back
into the narrative in a meaningful way.
If
Fringe can do that, and make the resolution satisfactory, I’ll be a happy
fan. Not asking much, am I?